A Little Night Music
Trevor Nunn's take on the Stephen Sondheim-Hugh Wheeler classic gets an infusion of Broadway royalty from Bernadette Peters and Elaine Stritch. Is it worth a trip back? You bet. More »

Everyday Rapture
Sherie Rene Scott wraps up the 2009-10 Broadway season and saves Roundabout's schedule with a moving and wry self-examination. More »

Collected Stories
Despite two relatively recent Off-Broadway productions of the play, Linda Lavin breathes new life into Donald Margulies' two-hander about a veteran writer and her protégé. More »

Enron
Lucy Prebble's new play is like a big, shiny, beautifully wrapped package that once eagerly ripped open reveals a horde of Styrofoam peanuts through which you search vainly for the anticipated present. More »

Wife to James Whelan
Teresa Deevy's long-lost play is a worthy addition to Ireland's dramatic literature and shows Deevy to have had a singular, perceptive ear for the dialogue of ordinary people. More »

Power Balladz
For anyone who wants to relive a time when music was loud and the hair was big, "Power Balladz" (which also features a post-show karaoke fest with the band) is the champion. More »

Trust
Second Stage seems to be out to corner the market on emptiness. Hot on the heels of the vacant but flashy "Bachelorette," we get Paul Weitz's schematic, wafer-thin "Trust." More »

Abraham Lincoln's Big Gay Dance Party
No matter what the ministrations of this talented company, there was nothing it could do to get this politically naive, toothlessly satirical, tediously melodramatic show going. More »

One Thumb Out
Tom MacLachlan knows stagecraft and has imagination, but he hasn't organized them into a coherent theatrical statement. More »

Evan O'Television in Double Negatives
Every cliché of a Fringe Festival offering is on full display in "Evan O'Television in Double Negatives." Unfunny, boring one-person show? Check. Unappealing characters? Writer-director-performer Evan O'Sullivan gives us three. More »

Friends Like These
"I like you." "Why?" Not a deathless exchange, yet as rendered with multileveled subtext  in Gregory Crafts' "Friends Like These," it pierces and resonates. More »

For the Birds
Blue Wren Collective, founded by the authors of "For the Birds," aims to develop artistic collaboration between Irish and American artists. Unfortunately, their play's setting in the two countries feels completely random. More »

The Beátitudes
Melanie Cortier's bland balletic choreography of "The Beátitudes," a 35-minute dance play about the Beat movement, bears no resemblance whatsoever to Beat sensibilities. More »

Kate Weare Company and Monica Bill Barnes & Company
Choreographers Kate Weare and Monica Bill Barnes electrified a standing-room-only crowd at the Joyce Theater with their shared evening of two superb contemporary dance works. More »

Whistling Away the Dark: A Celebration of Julie Andrews
Soprano Shana Farr shows promise in this boite tribute to the beloved international musical star, though they are as different as chalk and cheese. More »

Anikai Dance/Wendy Jehlen: Forest
As long as she is introducing new material, Wendy Jehlen is a captivating choreographer, but when it comes time to develop her thematic vocabulary into compelling choreography, she is at a complete loss. More »